‘I relish when my adversaries hate me’: the way Hasan Piker emerged as one of the biggest figures on the US left

Hasan Piker calls it an everyday benchmark: “You get on a bus and you have half a minute to clarify any online drama took place to the bus driver before them looking at you and saying, ‘Get off the damn bus.’” Most online conversation, regardless of how fiery, does not pass the test, he says – including a strange event last weekend, when someone on a Dublin street requested to take a picture with Piker, then held up a picture of his dog and shouted “Free Kaya!” Forget the bus driver; attempting to explain the meaning of that specific event might well take the remainder of this article.

Occupying the Blurred Zone

Piker increasingly exists in this liminal zone increasingly these days. Until fairly recently, the thirty-four-year-old was known only to the digitally immersed, particularly Americans in their twenties and thirties, mostly thanks to his dominant presence on the streaming channel Twitch. But following the last presidential election, Piker has become an in-demand voice in “the real world” for his analysis on the beleaguered political left, and specifically that inordinately fretted-over demographic, young men.

A Prime Target for the Political Right

Predictably, this also makes Piker a prime hate figure of the political right. To his c critics there is a lot to dislike: his direct political stances; his Turkish, Muslim background; his associations with progressive politicians. But they also take issue with the fact that Piker – physically imposing and charismatic – defies typical lefty stereotypes. He has not been afraid his physique in revealing magazine photoshoots or social media posts.

“I’ll be honest, I had no idea that this is what I was going to be doing,” says Piker. “For instance, if someone were to ask me, did you imagine that you’d become a Twitch streamer? I’d be like, what is Twitch?”

It’s early and he’s getting ready to start his daily late morning show. He usually streams live for seven or eight hours straight, talking off the cuff about current affairs, lifestyle stories, what he’s up to, playing video games, engaging with memes and media clips, and interacting with the never-ending stream of comments from viewers.

Beginning at The Young Turks to Twitch

Establishing himself on Twitch, which is primarily for streaming video games, was a deliberate decision, Piker says. His media career began with The Young Turks, the left-leaning online news network. His parents are Turkish immigrants, and he grew up between New Jersey and Istanbul before majoring in political science. He eventually hosted his own show on the network in 2016 but in 2018 he chose to go solo on Twitch, to counterbalance what he saw as dominantly rightwing, and often divisive views that permeated the space.

“You can find ideological variety among the gamers, among the developers, among the consumers, but unfortunately, the market for political commentary in this arena is so heavily dominated by the right,” he says.

The Problem with the American Left

This is the fundamental problem with the American left in general, says Piker: they’ve relinquished so many cultural spaces to the right. “You absolutely have to promote your ideas … but they simply completely abandoned all notion of marketing or branding.”

Piker is consistently critical of past administrations on his show, particularly on foreign policy, but he is no loyal supporter of the dominant center-left party. His own politics are broadly social democratic and “empathy-first”, he clarifies. “My position is actually the standard position in much of the world.”

Firestorms and Backlash

One of the risks of Piker’s type of relaxed, relatable commentary is that he’ll occasionally go too far, which gives his opponents ammunition. He has been temporarily banned from Twitch several times for deemed offensive content. Most notoriously, in 2019, in the framework of a broader critique, he made a statement about a national tragedy that was amplified by right-wing media outlets. Piker later apologised and said the wording was ill-chosen.

Similarly, Piker’s outspoken support for Palestinian rights and condemnation of certain government actions have led to accusations of bias, which he denies. He has also been mocked for expressing admiration for another major global power, after a trip there.

“I have no issues getting vilified by people on the right. I love when my enemies hate me,” he says. “It is what it is.”

Offline Repercussions

The vitriol constantly risks to spill offline, however. On one occasion, Piker was questioned by US border agents on his re-entry from travel abroad. They interrogated him about his views before releasing him. “I think they did it because they know who I am,” he said.

These levels of hostility help explain the “Free Kaya!” incident in Dublin. It originated from a Twitch stream where his dog, Kaya, yelped suddenly. Online detractors swiftly concluded that Piker was harming the animal, igniting a meme-fueled controversy dubbed “collargate.” Even a major animal rights organization put out a statement. This led to the surprise encounter by a stranger in Dublin.

Piker took that encounter in his stride. Online, though, the encounter was edited from his live stream and disseminated with his response edited out. “They wanted to make it look like I was devastated,” he said.

The Divide Between Digital and Offline Worlds

This highlights the difference between the offline and online worlds, he explains: “It’s very hard to maintain a very negative energy in the real world and not coming across as unhinged and odd. Exchanges on the internet foster this environment where you can be as aggressive as you want.”

That Dublin encounter was fairly low stakes. In the US, he feels less safe. The fatal shooting of a conservative commentator was a shocking example of where this online hate can lead. Piker watched the event develop in real time on his stream.

Piker still do real-life streams in the US. “I can’t let fear dictate my life. I’ve gotten death threats for years,” he says. Unhealthy one-sided fan dynamics come with the territory, he acknowledges.

Looking Ahead and Staying Grounded

Having been accurate about a recent election, how does Piker feel the next few years? “The landscape shifts quite quickly, but if you look at the avenues where there is some glimmer of hope, it’s the progressive candidates that are actually truly galvanising the public,” he says. He points to the progressive “wing”.

“We have to lean into that, because I feel like it’s a matter of critical importance at this point,” he adds. “So I will do anything in my power to try and avoid a dark alternative.”

The American left could arguably do with someone like Piker. But it doesn’t sound as if Piker is interested in traditional political office. He makes periodic media appearances, but he’s not tempted further into legacy media, he says. “The audience is moving in my direction, and away from legacy publishers.”

But on top of that, he still enjoys it: “I find a lot of emotional fulfilment in what I do.” As he’s talking, he’s got one eye on the clock. Another lengthy live stream awaits, and he’s eager to get started.

Jerry Porter
Jerry Porter

Award-winning photographer and visual storyteller with over a decade of experience capturing landscapes and urban scenes across Europe.